JONATHAN ALLEN

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Tommy Angel #16 | publicity banknote | 15 x 7 cm | 2006

Singapore Biennale review | 2006 >


Slashseconds review | 2006 >

Manif d'Art 10 – Quebec City Biennial| 2022 >

 

Tommy Angel #11 | Tarot card | 2011

In collaboration with Hayward Gallery Touring exhibition ‘Outrageous Fortune’

Tommy Angel #11 [2011] was made for the exhibition ‘Outrageous Fortune’, a Hayward Touring exhibition, curated by Andrew Hunt, director of Focal Point Gallery [4 July to 27 August 2011]. The exhibition showcased contemporary artists’ interpretations of the classic Tarot de Marseille deck of cards. Accompanying the exhibition, a special numbered edition of 1,000 printed decks of cards was produced, and given away to recipients nominated by the artists.

The customary iconography of the tarot card known as ‘Strength’ - a serene robed woman cleaving open the jaws of a lion – may derive from a synthesis of visual conventions that includes the classical representation of strength as a Virtue [a female figure dressed in armour standing beside a broken stone column], and depictions of Hercules and Samson overwhelming the formidable lions of their respective classical and biblical narratives. In cartomantic terms, the positive aspect of Strength [also referred to as ‘Fortitude’, ‘La Forza’, or ‘La Force’] has come to denote courage, prevailing intelligence, self-mastery, and moral fortitude, whilst its reversed position signifies tyranny, impulsive reactions, reckless stupidity, and a strong and dangerous enemy.

Tommy Angel #11 [2011] evokes Strength in the form of the fictitious magician ‘Tommy Angel’, the sleek pulpiteer of an ongoing photographic series of the same name. In Tommy Angel #11, Nature’s subjugation at the hands of a narcissistic evangelist-conjuror manifests a glitzy portent of male power gone awry. The presence of a skull and dusty volumes points to the related iconography of Saint Jerome, a figure rarely depicted in Western art without his leonine companion, yet in contrast to Jerome’s hermitic disposition, Tommy Angel stands poised to perform upon whatever stage will bear his ideological and proselytizing crusade.

Focal Point Gallery >

 

Tommy Angel #17 | appliqué hassock | 2006

 

Tommy Angel #18 | wand cross, edition of 5 | 2006

 

Tommy Angel #19 | Publicity Photo folio | 2006

 

Tommy Angel | individual signed publicity photos | 16 x 22 cm each | 2006

 

Tommmy Angel #20 | Tommy Angel conjuring silk, edition of 5 | 2006

 


Tommmy Angel #31 | silkcreen poster | for Manif d'Art 10 – Quebec City Biennial | 2022

 

 

 


Tommy Angel was supported by Arts Council England
Photography in collaboration with Mark Enstone

All works © Jonathan Allen 2022. All photographs are © their respective authors.